![]() ![]() Running with the Tone knob fully left offers the fattest sound with plenty of low end girth but still enough top end to stop things getting woolly, turning the knob up adds treble all the while reducing the low end providing plenty of useful tones on its arc of travel. If you switch over to the Modern sound there’s a quite different experience, and the Tone knob is key to everything here. Get past perhaps about 2-0’clock though and things start to get nasty as the lower end is sacrificed for the sort of harsher upper mids and treble that’ll slice your eardrums It’s at its brightest with the tone knob full up, but all points on the knob sound good – just roll it back to cut down the high end presence depending on your needs. It’s a bit of a scooped sound with attenuated low end/lower mids, but it’s powerful. Turn up that Attack knob and you’ll be getting a cool mid-1960s fuzz sound that is at the same time lean and saturated with a raspy edge. The Classic setting is really all you need to nail that Satisfaction riff. The latest in that line is this new FZ-M which comes equipped with two distinct sounds – a nod to the past in ‘Classic’ said to be based on the FZ-1A sound, plus ‘Modern’ which Gibson describes as a fuller and heavier tone. The FZ-1 Germanium fuzz pedal went through some different incarnations in its lifetime including a transistor change in the FZ-1A from 1966, the 1968 Robert Moog designed FZ-1B with Silicon transistors, the FZ-1S in the 1970s and even a limited numbers re-issue of the FZ-1A by Gibson in the 1990s. ![]() Perhaps the main selling point, though, is that each pedal features two distinct sounds called up by a small toggle switch “Two pedals in one” says Gibson. There’s a slightly sloping top panel to make footswitching easier, plus you’ll know when each pedal is active as the red, yellow and blue Maestro bugle logo lights up. F to 176 deg.The pedals can also run from a 9V battery accessed by loosening two screws, one each side of the pedal, and lowering a bottom plate which hinges on the remaining two screws. Storage Temp Range: -40 deg C to +80 deg C ( -40 deg.Operating Temp Range: -20 deg C to +60 deg C ( -4 deg.Each M Series microphone is delivered with its own calibration chart providing its individually measured open-circuit sensitivity and the frequency response curve.Meets or exceeds ANSI Type 1 and applicable IEC 61094 requirements.Used by SMAART, MLSSA, Spectrafoo, TEF and RTA in addition to acoustic measurement systems manufactured by dbx, DEQX and others.Flat frequency response, fast impulse response and exceptional polar characteristics.Improved version of the SMAARTMIC previously offered by EAW.Ideally suited for acoustical measurements including loudspeaker design and quality control, sound system setup and troubleshooting, room acoustics, or any application where an accurate free-field measurement microphone is required.With temperature compensated electronics, the M30 was built to deliver repeatable results no matter what the environment.Įxtremely fast impulse response and linear phase response make the M30 ideal for use with high-quality FFT-based real-time audio system measurement software like SMAART, SIM, REW, Electroacoustics Toolbox, FuzzMeasure and others, as well as for use in PA system alignment and loudspeaker design. It has a flat frequency response that extends from 3 Hz to 30 kHz, an exceptionally consistent omnidirectional polar response, 140 dB SPL rating without distortion and no handling noise. The M30’s audio performance is unparalleled. Used on countless full-scale concert tours, as well as in scientific research laboratories, tropical rainforests, and rocket testing facilities, the M30 and its M-Series siblings have proven to be lab-grade audio instruments that can handle any environment. PERFORMANCEĪccuracy, consistency, and reliability have made the Earthworks M30 measurement microphone the first choice of live sound professionals, acousticians, and researchers all over the world for nearly twenty years. The Earthworks M30 is a precision engineered 30 kHz omnidirectional measurement microphone ideally suited for acoustical measurements including loudspeaker design and quality control, sound system setup and troubleshooting, room acoustics, or any application where an accurate free-field measurement microphone is required. ![]()
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