![]() ![]() The artists most closely associated with so-called Cubism's conception-the most radical single contribution to abstraction's development in Western Art-are Pablo Picasso and Georges Braque, who collaboratively (and secretively) developed the concepts behind the movement beginning in 1907. In the early 20th century, encouraged by an aesthetic revisiting of what were then still considered "primitive" arts-most prominently those of Africa and Asia-and spurred on by rapid developments in photography in the late 19th century, which alleviated painting of its need to faithfully depict the natural world, European artists began experimenting with abstraction, shattering conventional notions of the function of artistic composition. ![]() In other words, the vision that the painter presents his or his work does not have to be a literal one-a leap forward for the potentialities of art. Today, however, we take for granted that a canvas does not have faithfully reflect to be the way we see the world, and that a painting has its own internal rationality: a vocabulary of color, shape, and texture that provides a roadmap for the viewer's eye. The collective aim of the medium was to present scenes from life and history with total realism. Since the Renaissance, when revolutionaries like Giotto and Brunelleschi used one-point perspective to illusionistically project the seen world onto the canvas, painting was traditionally devoted toward reproducing vision as it's captured by the human eye. ![]()
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